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Deathscribe '09 Submissions open until July 30th!
(NEW Deadline Date)

Deathscribe 2009 link

 

Thank you for coming to see The Revenants!

The Midwest Premiere of Scott Barsotti's drama,
The Revenants.
'Til Death Do Us Part.

Directed by WildClaw company member Anne Adams, this "relationship drama - with zombies" features Brian Amidei, Ryan Patrick Dolan, Laura Hooper and Jenny Strubin.

" The Revenants" focuses on two married couples barricaded in a basement during a violent uprising of the undead. As supplies run low and hopes dwindle, it is revealed that two of the spouses are infected and getting...hungry. Faced with the true meaning of commitment, husbands and wives must ask of each other: When does love die?

Following its critically acclaimed adaptations of horror lit classics
(Arthur Machen's "The Great God Pan" and H.P. Lovecraft's "The Dreams in the Witch House"), WildClaw now sets its sights on the dystopian future with "The Revenants." This gut-wrenching tale of love, regret and zombies continues WildClaw Theatre's mission of bringing intelligent and imaginative horror to the Chicago stage.

At Angel Island Theater.

Here is what they said about The Revenants:

"CRITIC'S CHOICE - Compelling... uncanny and emotional."
Tony Adler - Chicago Reader

"Very Satisfying. 4 out of 5 Stars"
Ian Monroe - Windy City Horror

"It's refreshing to see a piece firmly centered on the central question of what makes us human -- [Director Anne] Adams knows how to underscore the creepiness without letting it overwhelm the heart of the show."
Kerry Reid - Chicago Tribune

"The Revenants rocks! Zombies, blood-splatter, love triangles...live, onstage, no intermission. Awesome."
Jill Cooper - Killer-works.com

"Well worth your time. Should not be missed."
Venus Zarris - Steadstyle Chicago

"RECOMMENDED: A 'Must See" Show.
Some truly resonant scenes. The Revenants shows how love can last longer than life itself, and effects can be both beautiful and terrifying."

Centerstage Chicago

"(A) few minutes in, I was checking my escape routes in case I had to make a run for it. I did not want to part with even a mouthful of my spicy, delicious brains."
J. Scott Hill - Chicago Stage Review

"Has the perfect balance of humor, creepiness, emotional moments, and yes even some blood and gore... you feel as though you are really there in the basement living the hell of the situation with these characters.
Jessica Wells - Horror Society

"(A) tight, edgy, claustrophobic and suspenseful character drama with harrowing moments and deep emotional resonance. The Show is terrific on all levels.
Don't miss this show!"

David Schmidt - Sword and Cloak

"Fantastic... gut-wrenching and wonderful! Barsotti has hit the nail on the head when it comes to zombies. As far as production value goes, WildClaw has upped the bar. This play is top notch! This is just about as close as you'll ever come to seeing a live bullet to the head! The Revenants is not to be missed!"
Jude Mire - Killer-works.com

"Gripping. (A) breakthrough... between (Barsotti's) idea and WildClaw’s sound-lights-makeup execution, this goes much further toward convincing onstage horror than your typical multimedia stab."
Brian Nemtusak - Timeout Chicago

"(D)elightful... transcends formula schlock. The Revenants opens with a mini-masterpiece of unnerving terror. (S)tartlingly vibrant performances... (a) tightly paced story."
Catey Sullivan - Windy City Times

Past Shows from WildClaw Theatre:

H. P. Lovecraft's
The Dreams in the Witch House

December 21, 2008
Athenaeum Theatre, Chicago

"Imagine Harry Potter Gone Bad"
"Spectacular"

"Elaborate, Creepy, and Baroque... The Show Works"
"Bloody Brilliance... A Gruesome Treat"
"RECOMMENDED - I was completely entertained..."
"You'd be a fool to miss..."
"Well Worth Seeing"
"Immense Entertainment"

 

DEATHSCRIBE:
The First Annual International Festival
of Radio Horror Plays

October 6th at Chicago's glorious, historic Music Box Theatre.

Deathscribe was an extraordinary evening of live performances of original
short radio plays, written by horror enthusiasts and professionals from all around the globe. The thrill of watching skilled foley artists creating sound effects live, right in front of you, is truly like no other. With live musical accompaniment, special guest directors, and a celebrity panel to judge the best in the fest, the night was wickedly fun.

The winner of the 2008 Bloody Axe:

"Dark and Stormy", written by Albert Gerber,
directed by Don Hall (founding director, WNEP Theater)

Start writing your best ten minute horror play for next year's Deathscribe 2009.



Comments on Deathscribe 2008:

"Let me tell ya, these WildClaw kids are ones to look out for. The place was packed, the tech was extensive and well worked out, the event was like going to a comic book convention for horror fans."

- Don Hall from An Angry White Guy in Chicago blog
(Disclaimer: Don Hall was the director of "Dark and Stormy", the winner of the Deathscribe 2008 Bloody Axe. You bet he had a great time.)

"An incredibly fun night."

- Dennis Frymire from Carmi Neighborhood Watch blog
(Disclaimer: Dennis was in the cast of "Dark and Stormy", the winner of the Deathscribe 2008 Bloody Axe.)

 

WILDCLAW THEATRE'S SEASON ONE:

March, 2008
Arthur Machen's The Great God Pan at the Athenaeum Theatre
in Chicago.

Featuring:

Brian Amidei
Ryan Dolan
Steve Hersen
J. David Moeller
Michaela Petro
Peter Corey
James Eldrenkamp
Tom Hickey
Lily Mojekwu
Molly Reynolds

Adapted and Directed by Charley Sherman

Stage Manager - Dani McKenzie
Assistant Stage Manager - Holly Paine
Costume and Make-up Design - Allison Greaves
Set and Lighting Design - Paul Foster
Sound Design - Adam Kozlowski
Sound Board Operator - Jen Poulin
Special Effects Artist - Ryan Oliver
Movement Design - Karen Tarjan
Dialect Coach - Elise Kauzlaric
Graphic Design - Charlie Athanas

Reviews for The Great God Pan:

"If this is the WildClaw standard for horror,
we’ll gladly be horrified again"

- TimeOut Chicago

"fantastically executed"
- Killer-works.com

"spooky fun in the vein of the classic Hammer Films thrillers of the 1950s and '60s"
- Chicago Reader

"brilliant, pulsating sound design"
- Centerstage

   
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